Reviews from the 2024 Edinburgh Festival Fringe are in

Australian comedians have once again made a significant mark on the international stage at the 2025 Edinburgh Fringe Festival, earning widespread acclaim for their sharp wit, diverse storytelling and unique perspectives. From seasoned performers to rising stars, these comedians are not just holding their own but leading the charge, drawing in packed audiences and receiving glowing reviews across the board.

Tom Ballard has been lauded for his ‘utterly fearless’ performance, with The Scotsman praising his ability to ‘tackle the darkest aspects of the human condition with humour that’s both insightful and unflinching.’ Similarly, Fest Mag commended Alex Hines for ‘melding absurdity and vulnerability’ in her show, saying it’s ‘equal parts chaotic and poignant.’

The Scotsman has named Sweeney Preston and Ethan Cavanagh’s In Pour Taste as a ‘must-see’ act at this year’s festival, raving about their ability to deliver a ‘wildly original’ and ‘brilliantly executed’ show that leaves audiences in stitches and a little wined up. Jeromaia Detto, described by Chortle as a ‘master of clowning’ with a show that’s ‘whimsical and wonderfully absurd’ standing out for his unique brand of physical comedy, and finally, lively duo Mel & Sam have been praised by The Scotsman for their ‘dynamic and high-energy’ show, packed with sharp comedy and musical brilliance.

Bronwyn Kuss, according to The QR, has delivered a ‘masterclass in understated comedy’, while Emma Holland’s ‘offbeat yet captivating’ style earned her praise from EdFest Mag. Zoë Coombs Marr also wowed audiences with her ‘clever and subversive’ act, described by Beyond the Joke as one of the festival’s highlights.

Meanwhile, Voice Mag was blown away by Dizney in Drag, calling it ‘wildly entertaining and an unmissable parody.’ Hot Department’s unique and ‘chaotically hilarious’ show was noted by Butterwort Art, and The Scotsman couldn’t get enough of Alexandra Hudson’s ‘sharp and deadpan’ delivery. Jenny Tian, as reviewed by The Skinny, has impressed with her ‘thoughtful and sharply written’ material that is both ‘relatable and deeply funny’. Josh Glanc’s Family Man was described as ‘quirky, hilarious, and refreshingly original’ by One4Review, showcasing his inventive approach to character comedy. The Times hailed Lou Wall’s wildly popular The Bisexual Lament as ‘irreverent and genre-bending’, cementing their status as a Fringe favourite.

Whether it’s stand-up, improv or character-driven humour, Australia’s finest are proving that they are some of the brightest stars in the global comedy scene.

The Edinburgh Festival Fringe is on until 26 August, for the full program head to tickets.edfringe.com.