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In Horses, Elf Lyons charts the journey of her eponymous creatures through myth, legend and war in a series of gory sketches. Her equine protagonist Treacle provides ample opportunity for the clown to put her liquid physicality to use, from a birth scene to one about meat-grinding, plus plenty of other prancing in between.

This show includes so much blood it is eye watering, yet somehow it also contains none at all. So visceral is Lyons’ mime work, and so brutal is the torture of her characters, that the audience was constantly vocalising their repulsion. Horses reminded me of the way grotesquerie meets fantasy in Pan’s Labyrinth, only it wants you to laugh rather than cry.

Reviewed by Anna Stewart

Melbourne International Comedy Festival acknowledges the traditional custodians of the lands upon which we work and live. We acknowledge the Aboriginal and Torres Strait Islander peoples' spirit, imagination and rich history of storytelling and humour that is an inspiration to all Australians.

We accept the invitation to walk together with First Nations people towards a more positive future for Australia, as described in the Uluru Statement From The Heart.